3. Attack of the 50 Ft. Woman (1993)

At this point, every film has used a different technique to create all the failure that was missing in its predecessor. For the remake of Attack of the 50 Foot Woman,
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The biggest special effect in the 1993 version of 50 Ft. Woman is the illusion that Daniel Baldwin should ever be around a camera. The second biggest is the total destruction of any and all techniques that would suspend your disbelief of Daryl Hannah walking around this model train shop of a miniature set. You see, a common technique to make things look bigger is to shoot them from low angles. Danny DeVito could fight Mothra if you placed a camera, pointing up, around his shoe level. In the original 50
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Behold, the majestic Balsa City.

1993’s 50 Ft. Woman rarely does this, instead opting to point the camera at her head on, meaning that, rather than making her look tall and menacing, she looks like
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And the world would’ve been denied all of this.

2. Piranha (1995)

Roger Corman is famous for being able to produce films on a small budget. If you gave Roger Corman a thousand dollars, he’d give you Avatar, or at least
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He came here to save our souls.

Corman produced the original Piranha, a film about some angry mutated piranhas that attack a resort, in 1978. Then, in 1995, sensing that it was the right time to do it all over again, Corman produced the remake. And when I say "do it all over again," I mean that very literally. Piranha 1995 used a nearly identical script and was directed by a guy who would go on to create the worst movie about gangster "Babyface" Nelson. The special effects were also oddly identical because they really were. The 1995 Piranha uses the exact same special effects footage as the first, except, in this case, it doesn’t work.

Jurassic Park wrecked the curve for everybody.

The original film had a decent amount of jokes, or at least ’70s B movie dialogue that seemed like jokes, and it made the low budget animal carnage a little easier to digest. It didn’t take itself very seriously. If you sense that the filmmakers are having fun with what they’re doing, you’re able to forgive the film a bit when something like special effects don’t meet Jaws level expectations. What made the remake’s script only "nearly" when it comes to being identical is that they removed a lot of the humor from it, because who has any right to be funny when you’re dealing with a serious subject like fantastical experimentation on exotic
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The special effects aren’t anything different, but the way you interpret them becomes different. When a movie with subpar effects isn’t fun, it becomes a chore,
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Jerod Harris / Getty Every Phantom of the Opera

Really, it’s
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1. Every Phantom of the Opera

I can’t really blame filmmakers
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"You don’t have a hacksaw? It’s a good thing I brought my Leatherman."

There have been six adaptations entitled Phantom of the
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It’s still two thirds of a cheek short of half assed.

Gerard Butler most recently played the Phantom in the 2004 film, but it inspires less terror and more high school theater class pity, as he just comes off as a guy who would be really good at picking up girls if he wasn’t so sad and scarred all the time.

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